
Count Diddula working on his vocals
[Contains Spoilers]
Back on the scene after last week’s back to basics catastrophe. To be honest, I’m not as committed to this show as I am to others but I’m watching it so you don’t have to (or so that you know you’re not the only one!). Anyway, let’s get to this week’s recap.
Where last week was about the individual, the musicians were put into groups tonight to focus on programming, playing as a team and sonically reproducing the feel of Last Train to Paris. While it’s apparent that many of the musicians weren’t formally trained or know the fundamentals, they’re here now because they’ve taught themselves or have a natural ear for music. Broken up into 4 bands, the musicians had three days to three songs (Point of No Return by Expose, Pleasure Principle by Janet Jackson and Take On Me by A-Ha).
Out the gate, Brockett was hype. “Once we get the sounds right… there’s nobody gonna play with the kinda feel I can play on these records. Trust me,” he proclaimed. I liked that kind of confidence and from what we’ve seen so far, Brockett can really back up all the tough talk. He can afford to run the keys all he wants in his group though, because he’s the only keyboardist there.
In the next group, Lynnette was on keys along with Jason aka J-Sweet and they weren’t meshing quite as well as they needed to. Everyone cannot be the leader/music director but at this point, with it being a competition and all, I don’t think that’s an easy concept to swallow. Hence, discord. I really like Lynnette though. I feel as though she’s hella talented and humble which is a rare combination. What I’ve noticed is that J-Sweet has a very negative and defensive attitude. Every time Lynnette says something or asks a question, J-Sweet gets super condescending and patronizing. Ew. It’s not the way to rally a team if you ARE the leader. To be fair, I don’t think Lynnette should react by running away. Continue reading